Over the years we ’ve trust on talking sheep , girl in nighties , and glorify car salesmen to deliver us the weather . But behind the widget , forecasters have always weigh . And today , we need them more than ever .

With a broad smileand an even wider tie , John Coleman was your consummate 1970s boob tube weather forecaster . Throughout the 10 , he could be regain cracking jokes and doing his signature niggling boogie-woogie in front of a hand - drawn weather function on WLS - TV in Chicago . His leisure suit , swooping side hair part , and booming voice made him a renown — first in the Midwest , and then , starting in 1975 , asGood Morning America ’s first conditions forecaster . Coleman was a real - life Ron Burgundy in many way , but he was no ditz . His best estimation put him on track to become one of the most important atmospheric condition diarist of all time .

Even while extradite two atmospheric condition report a day , Coleman was n’t satisfied with weather ’s place in the news show . He did n’t think the short fourth dimension devoted to weather on TV — typically 15 minutes a day — was enough . So , in his spare moments , he begin hatching a program : a national cablegram channel devote to the weather 24 hr a day . It vocalize like an impossible dream — or a ridiculous thought . But weather condition forecasters are used to the impossible . Every day , after all , we ask them to differentiate us the futurity . They sieve through reams of data , applying the rule of cathartic , chemistry , and dynamics to foreshadow the behaviour of what is basically layer of gun floating mile over our head . Layers , heed you , steered by unsound jet watercourse that move 100 miles an hr or more .

Pete Gamlen

While today ’s weather paper are always improved by data culled from Doppler radar , hastiness - measuring orbiter , and supercomputer crunching one thousand thousand of weather observations worldwide , the standard atmosphere is at last disorderly and impossible to nail every time . We love to kick when the weather condition report get it awry , but we ’d be lost without it . Coleman understand that better than anybody .

He also knew that , throughout the 300 - class history of weather condition news media , we ’ve turn to weather condition reports for much more than information . We ’ve always needed the human contact — trust interpreter to excuse the skill , reassure us in the face of uncertainty , and entertain us along the way . Their story , which bulge out long before Coleman , is plenty entertaining itself .

The first atmospheric condition report — some scholars count it the first study of modern journalism — was put out by Daniel Defoe , source ofRobinson Crusoe . On November   24 , 1703 , Defoe was walk in his London neighborhood when he noticed a change in the tune : “ The Wind encreased , and with Squalls of Rain and terrible Gusts blew very furiously . ” tile fly from the rooftop , tree limbs and entire trunks snap , and chimneys toppled , one of which almost crushed him .

For two more sidereal day , a 300 - mile - broad tempest — the largest and most destructive ever to hit the British Isles — traverse from the southwest , violently flinging bricks and stones down the street . When Defoe looked at his barometer on the 26th , the hydrargyrum was as low-spirited as he ’d ever seen it . He seize his kids had messed with the tube .

At the meter , Defoe was a poet and pamphleteer . He was also fresh out of prison house , convicted of satirize spiritual intolerance . He had been fined , lock in in an high-minded public pillory — the old wooden chokey with holes for psyche and hand — and jailed for four month . Now belly-up , he was desperate for pay work . On the break of day of the 27th , when the worst of the violent storm had passed , Defoe search over the destruction and saw redemption in a new genre .

While neighbors checked on friend and relatives , Defoe train notes , collect eyewitness accounts , and gathered downhearted facts . barely anyone had slept through the storm : “ The Distraction and Fury of the Night was visible in the Faces of the hoi polloi , ” he wrote . He ventured to the Thames to witness the 700 or so ships that had been tossed in heaps . He estimated that the storm had drown 8,000 people at sea , admit a twenty percent of the Queen ’s navy . It flattened 300,000 tree diagram , destroy thousands of homes and 400 windmill , and blow away countless church building steeple , turret , and lead cap , admit the one atop Westminster Abbey .

Of of course , humans had been trying to divine the atmospheric condition for thousands of class , and tell story about it for even longer . The Babylonians could predict forgetful - term weather by looking to the clouds . In Greece , skeptics roll their eye at the run belief that rainwater was sent by Zeus and base their predictions on the four component alternatively . Democritus was so proficient at forecast the conditions he convinced people he could see into the future tense . Meanwhile , Theophrastus’sOn Weather Signsgave us weather condition Book of Proverbs that endure to this solar day . ( “ When the sky has a reddish appearance   before cockcrow … this usually indicate rainwater within three 24-hour interval , if not on that very day . ” ) They all understood that the more you have sex about the weather of the past , the better you’re able to prefigure the weather of the future .

Until Defoe come along , most contemporary atmospheric condition discipline were just data point from rain gauges , wind vanes , thermometer , and barometer . Few writers recounted action as it happened . Defoe did — and his timing could not have been better . news media was steel novel . London’sDaily Couranthad late launched as the first English language daily paper .

WithThe Storm , Defoe combined his own eyewitness accounts with harrowing item mailed to him from sources all over England . He was n’t just delivering fact . He was helping his readers understand the tempest , how and why it happened , and what it meant for life itself — weaving atmospherical science with moral philosophy . “ I can not doubt but the Atheist ’s hard’ned Soul Trembl’d a small as well as his House , and he feel some Nature ask him some minuscule doubt , ” he write . “ Am I not mistaken ? sure as shooting there is some such affair as a God — What can all this be ? What is the affair in the World ? ”

Over the next century , novel engineering would make the weather cover a part of our casual lives . By the mid-1800s , thanks to the telegraph , the first government weather forecasting head could deal weather selective information at lightning speed , helping citizens and ship captains prepare for tragedy . In Victorian England , the idea of “ forecasting ” was controversial . Some considered it akin to voodoo . But Americans had no such qualms : By 1860 ,   500 atmospheric condition Stations of the Cross were telegraphing weather reports to Washington .

When that internet decay during the Civil War , a frustrated astronomer named Cleveland Abbe established a private organization of daily atmospheric condition bulletins . Culling news report from Volunteer across the country , Abbe and a team of telegraphy shop assistant transferred the data onto maps . They bestow exceptional symbols , showing wind direction , areas of high and humble press , and marking “ R ” for rain . With the publication of their first bulletin on September 1 , 1869 , the day-after-day weather condition report was born .

Newspapers — likeNiles ’ Weekly Register , the most democratic publication in the nation beforeThe New York Timesdebuted in 1851 — had already been devoting ink to the conditions . But Abbe ’s weathercast made it a must - read : For the first time , Americans had access code to statistics on the day to come . The public saw that prediction could hold open crops , ship , and lives . Abbe , just 30 at the fourth dimension , became known as “ Old Probabilities ” or “ Old Prob , ” and his oeuvre burble out . Before long , a petition from the Great Lakes region — which suffered 1,914 shipwrecks in 1869 alone — urged Congress to establish a national weather condition service . Congress approve .

Americans could n’t get enough of the predictions — or the infographics that came with them . The New York Timesbegan running a conditions map in 1934 , and the next year , the Associated Press begin to transmit a interior single-valued function to fellow member papers . Early maps were more complex than today ’s , showing isotherms and areas of gamey and low pressure . Over the track of the next 100 , the map were dumbed down to carry slight besides temperature — and , of course , pelting . American still loved their weather data , but something was shifting in the strain . The daily prognosis was about to become a source of not just information but entertainment too .

The same yeartheTimeslaunched its weather condition function , Jim Fidler , a student at Ball State University in Muncie , Indiana , take to the air as “ radio receiver ’s original weather forecaster . ” He was n’t the first soul to record the weather . In 1900 , the U.S. Weather Bureau go under up the first radio atmospheric condition broadcast at the University of Wisconsin in Madison . But Fidler was different . He was a personality .

When a fistful of data-based television receiver station began circulate in the early forties , radio predictor like Fidler were quick to the cover . From the start , it was an oddball enterprise , pen weather journalist and his- torian Robert Henson . A New York City weathercast that debut in 1941 and lasted seven years starred an animise sheep named Wooly Lamb , who introduced each segment with a Sung dynasty . Sonny Eliot in Detroit turned the weather condition into a variety show , making prognosis like “ The storm is as mistrustful as a dermatologist with acne . ”

In 1952 , the FCC unwittingly encouraged even more cheeseball TV when it open up competition for local licenses . Most major city spread out from one post to two or three . Now , compete for audiences , news managers found the weather report was the easiest to liven up . No whatchamacallit was too flaky . Nashville poet - forecaster Bill Williams read the weather in verse line . In New York , a marionette “ weather lion ” chip in one nightly forecast ; a sleepy bombshell in a nightie pay a midnight forecast as she tucked herself into seam .

So began the erotic love - hate human relationship between real meteorologists and atmospheric condition soothsayer with picayune skill background . The American Meteorological Society tried to rein in the antics . “ Many TV ‘ weather forecaster ’ make a caricature of what is essentially a serious and scientific business , ” complained Francis Davis , a physic prof and Philadelphia weathercaster , in a 1955TV Guidepiece titled “ Weather Is No Laughing Matter . ” The Society want everyone to have scientific credentials . A young prognosticator named David Letterman never acquire the memoranda . give birth the weather in Indianapolis , Letterman jest about “ hailstone the size of canned hams ” and , Henson compose , cite statistics for made - up cities .

Beauty also trumped know - how . Raquel Welch catch her start doing morning conditions in San Diego as a “ Sun - Up Weather Girl . ” Diane Sawyer landed her first job out of Wellesley in 1967 as “ weathergirl ” for her hometown TV station in Louisville . Sawyer was n’t allowed to wear shabu on camera and could n’t say whether she was point to the West or East Coast on the single-valued function .

The profession was n’t so much a chopine for experts as a stepping stone for television - stardom aspirer . Wheel of Fortuneemcee Pat Sajak , Marg Helgenberger ( ofCSIfame ) , and comic Gilda Radner all got their starts read the weather . None were degreed meteorologists — nor was the Chicago weatherman John Coleman . But that was n’t going to break off him from upend the weather condition report once again .

Though he lackedscientific grooming , Coleman know that scientific street cred would be as essential as vitality . Setting out to build a brand - unexampled weather musical genre , he wanted only develop meteorologists beamed into American living room . He also worked feverishly to germinate new technologies to fit local forecasts and conditions alerts into   national computer programing . But first he had to find a bass - pocketed partner to bankroll his mind .

Most venture capitalists were disbelieving ; even those who have a go at it weather condition reports figure 24 hours ’ Charles Frederick Worth was too cock-a-hoop a risk of infection . at last Coleman found his patron in Frank Batten , a Norfolk , Virginia – free-base Moghul who had made a destiny plow Landmark Communications ( in the main a paper party ) into one of the land ’s largest media conglomerates . Batten had a personal attractor to the subject matter : He ’d been gobsmacked by weather condition since age 6 , when he and his uncle rode out a ferocious violent storm , the Chesapeake - Potomac Hurricane of 1933 , in the menage ’s oceanfront cottage on Virginia Beach .

Batten and Landmark invested $ 32 million , and the Weather Channel launched on May 2 , 1982 . It was a rocky start . Early technology garble local forecast . Critics dismissed the channel as a jocularity . Newsweekcalled it a “ 24 - hour - a - day example in meteoric overkill . ” In its first six months , viewership was too low to qualify for Nielsen ratings . In its first yr , the canal lost $ 10 million . While Coleman was a bright weather forecaster , Batten felt he was a poor CEO ; a bid to boot out him escalate into an epical legal battle . By 1983 , the board and Batten were ready to shut the labor down . Coleman eventually settled with the company , handing over his 75,000 shares of pedigree . The Weather Channel was insolvent at the time , so Coleman , for all his efforts , walked forth empty - handed .

Still , viewers were n’t yet win over . Coleman was gone , but his policy go on . He had banned alive program from the field because the applied science was wretched and expensive , so prognosticator had to stay put inside . The lack of pizzazz became obvious only in hindsight . As picture equipment became better and cheaper , the channel ’s meteorologist began flipping the pattern : They got out into the pelting , while viewers persist dry in their living way . The theatrical role reversal proved incredibly appealing . report from the playing area was a “ sea modification in our apprehension of the aroused joining ” people have with weather , said then - president and CEO Deborah Wilson .

In 1992 , reporting on Hurricane   Andrew from his Baton Rouge hotel   way with rain gushing in , meteorologist Jim Cantore , who ’d spend six   years stuck behind a desk , expressed   a love for violent storm drama that infected spectator . “ It was awe- some , the winding and the rainwater , ” he remembers .

Viewers were hooked — the Weather Channel streamed into the homes of 50 million Americans during Andrew . Soon viewership swell to 96 million . By 2008 , when the television channel was acquire by NBC , it was a $ 3.5 billion powerhouse built on the same assumption Daniel Defoe had hear 300 years before : The most riveting weather reports come from people who guess outside to see and feel the conditions in real time .

In its Marchfrom Defoe ’s ruminations to telegraphs to TV to smart phones , today ’s weather report has grown not only more convenient but more accurate . Thanks to cut - boundary forecasting models , our four - day rainfall outook is as exact as the one - daylight prognosis was 30 years ago . orbiter and supercomputer have sharpened predictions for tropical storms ; the National Oceanic and Atmospheric Administration nailed Hurricane Sandy ’s southerly New Jersey landfall five years out .

Lately , digital giants like Verizon have strain to promote out the human forecasters at the Weather Channel , arguing that apps make them irrelevant . Just the diametric is dead on target : Massive amounts of digital data make human interpretation more important than ever before . We see it in our compulsion to utter about the weather in the spaces between other conversation — often with strangers . We see it in our motivation for the science to tell us more . We want the prognosis to recount us which coat to wear , but also to explain by the hour how the weather condition will act tomorrow , and what this cruel wintertime says about next year — and the next 50 years .

Climate change is not only the conditions story of our time , but the story of our clip . Just as the great storm of 1703 swept in at the morning of paper , so anthropogenetic climate modification and its impacts are coming into focus during another profound faulting , from photographic print and boob tube to omnipresent screens . While some of the   weathermen of yesterday — Coleman among them — are plainspoken mood - modification denier , professional   meteorologists generally agree with the scientific consensus that Earth ’s warming is unambiguous — and unnatural . “ It is clear from all-inclusive scientific evidence , ” say the man and woman of the American Meteorological Society , “ that the predominant causa of the rapid alteration in mood of the past half - century is human being - induced . ”

Today ’s revolutionary weather reporter are those who see it as their role to educate audiences on weather and mood skill . These admit Columbia , South Carolina , WLTX chief meteorologist Jim Gandy , who airs a segment address “ Climate Matters , ” and Mashable ’s Andrew Freedman , who excuse major atmospheric condition storey in the context of use of the changing climate . This new generation of reporters can explain the science and , as significant , our deal function in the future well - being of the major planet .

The history of weather coverage is at turns funny and deceitful . But underlie the talking sheep and girl in nighties , our need to sympathize has always been serious . We ’ll continue to rely on interpreters like Defoe and Abbe to document the storms and to avail us see our place in the larger swirl of the atmosphere . They require us to consider — and discuss — the same questions Defoe asked more than three centuries ago : “ What can all this be ? What is the Matter in the creation ? ”

Adapted from Rain : A Natural and Cultural History . Copyright © 2015 by Cynthia Barnett . bring out by Crown Publishers , a division of Penguin Random House LLC .   For a complete source inclination , see Rain ’s Notes section . To purchase , click here .